{"id":2270,"date":"2020-05-16T21:29:50","date_gmt":"2020-05-16T20:29:50","guid":{"rendered":"https:\/\/artschap.com\/projects\/?page_id=2270"},"modified":"2022-11-28T23:52:53","modified_gmt":"2022-11-28T23:52:53","slug":"the-spiritual-exercises-appendix","status":"publish","type":"page","link":"https:\/\/artschap.com\/projects\/the-spiritual-exercises-appendix\/","title":{"rendered":"The Spiritual Exercises<\/a> "},"content":{"rendered":"

 <\/p>\n\n\n<\/colgroup>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0Artist<\/strong><\/td>\nTitle \/ Date<\/strong><\/td>\nMedium<\/strong><\/td>\nCredits<\/strong><\/td>\n<\/tr>\n
Aarushi Zarthoshtimanesh<\/td>\nMy skin is stained like glass<\/td>\nDigital drawing on photograph<\/td>\n<\/td>\n<\/tr>\n
Alexandra Czincel<\/td>\nReady or not!<\/td>\nAnimation<\/td>\n<\/td>\n<\/tr>\n
Aliceson Carter<\/td>\nRejoicing In The Morning After (Remembering A Night Before)<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Alison Jones<\/td>\n[untitled]<\/td>\nink on paper<\/td>\n<\/td>\n<\/tr>\n
Andy Harper<\/td>\n[untitled]<\/td>\nSound with image<\/td>\n<\/td>\n<\/tr>\n
Andy Holden<\/td>\nWhat Is Love?<\/td>\nvideo animation<\/td>\nCommissioned by\u00a0BBC Arts and Google Arts and Culture Written and Directed – Andy Holden
\nAnimation – Ollie Dook
\nMusic – Roger Illingworth, The Grubby Mitts<\/td>\n<\/tr>\n
Anna Dean<\/td>\n[untitled]<\/td>\nInstagram performance<\/td>\nmusic by Janaki Anderson<\/td>\n<\/tr>\n
Anne Lydiat<\/td>\n[untitled]<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Barbara Nicholls<\/td>\nLiquid Stencil,\u00a02020<\/td>\nWatercolour on 638gsm, 30cm x 21cm<\/td>\n<\/td>\n<\/tr>\n
Benjamin Cockett<\/td>\nOdysseus, 2017<\/td>\nWatercolour and gouache on paper. 38cm x 28.5cm<\/td>\n<\/td>\n<\/tr>\n
Brian Deighton<\/td>\nIlkley Moor (rain), 2016<\/td>\nacrylic on canvas, 30x 60 cms<\/td>\n<\/td>\n<\/tr>\n
Brian Sayers<\/td>\nSeer, 2010<\/td>\noil on panel 27 x 20 cms<\/td>\n<\/td>\n<\/tr>\n
Cara Rainbow<\/td>\n<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Caroline Areskog Jones<\/td>\nAlong the yellow road<\/td>\nvideo<\/td>\nText: Tove Jansson \u2018The Summer Book\u2019
\nVoices: Caroline Areskog Jones
\nChristian Jones
\nOskar Jones
\nNeil Marsh
\nIsabella Marsh
\nGoogle Earth image Capture:
\nDrew Jones<\/td>\n<\/tr>\n
Caryn Simonson<\/td>\nStitched Brown Paper Bag \u2014 made during Professor Carol Tulloch and Celia Pym\u2019s \u2018in conversation\u2019 Stitching Holds Space, online in Collaborate Ultra, 2020<\/td>\nstitchd brown paper<\/td>\n<\/td>\n<\/tr>\n
C\u00e9cile Emmanuelle Borra<\/td>\nHOLES<\/td>\ndigital print<\/td>\n<\/td>\n<\/tr>\n
Charlotte C Mortensson<\/td>\nStill Burning<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Charlotte Pannell<\/td>\nInches<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Christine Gordon<\/td>\nAndy\u2019s Requiem<\/td>\ndocumented slide\/tape projection<\/td>\nMusic: Spaceball Ricochet, T.Rex<\/td>\n<\/tr>\n
Cyan Dee<\/td>\nMichael<\/td>\noil on mylar<\/td>\n<\/td>\n<\/tr>\n
David Leal<\/td>\nBAT (conversation)<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Dorothea Magonet<\/td>\nLife, 2020<\/td>\nCollage<\/td>\n<\/td>\n<\/tr>\n
Duncan Wooldridge<\/td>\nSea<\/td>\ndigital image<\/td>\n<\/td>\n<\/tr>\n
Dunhill and O\u2019Brien<\/td>\nStill Life Figures 1<\/td>\nPhotograph<\/td>\n<\/td>\n<\/tr>\n
Erika Winstone<\/td>\nMantle piece 2 \u2014 Is it something I said?\u00a0, 2020<\/td>\nsilverpoint on canvas, video<\/td>\nFilm extract: Exhibition (aka London Project), Joanna Hogg, 2013<\/td>\n<\/tr>\n
G. Calvert<\/td>\nSwimming<\/td>\nPhoto : \u00a0painting and film<\/td>\n<\/td>\n<\/tr>\n
Greg Rook<\/td>\nCommunal Wash, 2018<\/td>\nOil on linen, 46 x 61.5 cm<\/td>\n<\/td>\n<\/tr>\n
Helen Robertson<\/td>\nThis Thing Called Life, 2020<\/td>\naudio<\/td>\n<\/td>\n<\/tr>\n
Holly Slingsby<\/td>\nHEAP, 2020<\/td>\nPerformance video<\/td>\n<\/td>\n<\/tr>\n
Hyunha Lim<\/td>\nEmbroidery on a scenery landscape of Deogyu Mountain<\/td>\nembroidery on fabric, printed with a digitally manipulated photograph<\/td>\n<\/td>\n<\/tr>\n
Inigo Batterham<\/td>\nNo or not yet, 2020<\/td>\npainting<\/td>\n<\/td>\n<\/tr>\n
Jaime Welsh<\/td>\nThe Visitor (marat)<\/td>\nGicl\u00e9e print on Canson Baryta paper, 140 x 180 cm<\/td>\n<\/td>\n<\/tr>\n
Jana Appleyard<\/td>\nNewborn<\/td>\nVideo<\/td>\n<\/td>\n<\/tr>\n
Jane Eyton<\/td>\nMedusa in the time of Covid<\/td>\nDimensions are variable depending on how it is hung but consists of 4 pieces. Each Medusa is about 35cm x 18cm.
\nMaterials: Extruded plastic<\/td>\n		<\/td>\n<\/tr>\n
Janette Parris<\/td>\nMundane Thought For The Day<\/td>\ncomic<\/td>\n<\/td>\n<\/tr>\n
Jatun Risba<\/td>\nBe-coming Tree<\/td>\nperformance video<\/td>\nConcept, Poem and Performance: Jatun Risba
\nVideo: Franco G. Livera
\nPhoto: Sa\u0161o Bati\u010d
\nThanks to Maja Usico and An Krumberger for technical assistance and support.<\/td>\n<\/tr>\n
Jeffrey Dennis<\/td>\nThe Street Confessionals, 2018<\/td>\noil & charcoal on linen, 30 x 40.5 cm<\/td>\n<\/td>\n<\/tr>\n
Jessica Reeves<\/td>\nHouse<\/td>\nHand knitted wool, bulb on cable 75 x 42cm \/ height varies
\n2018<\/td>\n		<\/td>\n<\/tr>\n
Joe J Ford<\/td>\n<\/td>\ncollage<\/td>\n<\/td>\n<\/tr>\n
John Bicknell<\/td>\nMarat\u2019s arm twice<\/td>\nOil on linen, 40cm x 60cm (two panels 40cm x 30cm)<\/td>\n<\/td>\n<\/tr>\n
John Lawrence<\/td>\n<\/td>\nVideo<\/td>\n<\/td>\n<\/tr>\n
Jon Rees<\/td>\nLockdown portrait #4: Mick<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Jordan Baseman<\/td>\nMeanwhile, in the future<\/td>\nanimation<\/td>\n<\/td>\n<\/tr>\n
Judith Dean<\/td>\nRoom Numbers, 2020<\/td>\n\u00a0Ink on paper, 31 x 23cm<\/td>\n<\/td>\n<\/tr>\n
Julie Born Schwartz<\/td>\nEx-voto, 2018<\/td>\nFilm installation with three HD videos, 30 min with sound<\/td>\nMahler & LeWitt Studios
\nFondazione Santa Rita da Cascia
\nThe Danish Arts Council
\nThe Goldstone Family Foundation
\nYves Klein Archives
\nA huge thanks to all the sisters at Santuario di Santa Rita da Cascia<\/td>\n<\/tr>\n
Julie Povey<\/td>\nSaudade<\/td>\nmonoprint<\/td>\n<\/td>\n<\/tr>\n
Kaori Homma<\/td>\nErosion of Memories, 2019- 2020<\/td>\nAburidashi Fire Etching (Fire, acid and water on paper)\u00a0 4x10cm<\/td>\n<\/td>\n<\/tr>\n
Kelly Chorpening<\/td>\nDrawing in lockdown: a brief personal reflection upon drawing, past and present.<\/td>\nVideo<\/td>\n<\/td>\n<\/tr>\n
Laura Jacobs<\/td>\nWho Am I Now? This Is Now.<\/td>\nsketchbook drawing<\/td>\n<\/td>\n<\/tr>\n
Laura White<\/td>\nWhere I Can\u2019t Be<\/td>\nText<\/td>\n<\/td>\n<\/tr>\n
Lizzi Kew Ross<\/td>\nGreat Western Hospital<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Louise Ashcroft<\/td>\nKitchen’s Hell<\/td>\nVideo performance<\/td>\n<\/td>\n<\/tr>\n
Lucy Newman Cleeve<\/td>\nAn Opening, 2018-20<\/td>\nvideo<\/td>\nMusic: ‘No Storms Come’ (Hopkins\/Peres), The Innocence Mission, Lamp Music, 2000<\/td>\n<\/tr>\n
Marcus Bastel<\/td>\nJapan, from the series Corona Mornings: Places<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Maria Chevska<\/td>\nNotes on saint\u2019s hair\u2026<\/td>\npens, ink, oil crayon, 28x28cm<\/td>\n<\/td>\n<\/tr>\n
Maria Zahle<\/td>\nNo Helicopter View<\/td>\nanimated GIF<\/td>\n<\/td>\n<\/tr>\n
Marion Coutts<\/td>\nSimple 03\/05\/20<\/td>\nSoap, 50 x 90 x 40 mm<\/td>\n<\/td>\n<\/tr>\n
Marisa J. Futernick<\/td>\nI Dreamed of a House, 2014<\/td>\nHD video version of two-projector 35mm slide installation with sound (134 slides) 14:22<\/td>\nSoundtrack composed and performed by the artist with Paul Huckerby and Dan Guest<\/td>\n<\/tr>\n
Mark Dean<\/td>\nWood Beez<\/td>\nvideo & sound<\/td>\nmusic sample:
\nWhat Have I Done To Deserve This (Pet Shop Boys with Dusty Springfield)<\/td>\n<\/tr>\n
Mark Emblem<\/td>\nMy Dreamhouse \/ Departure<\/td>\nImage with audio + text<\/td>\nMusic by Vladislav Delay – Khode<\/td>\n<\/tr>\n
Mark Fairnington<\/td>\nAira Force Remembered, 2020<\/td>\npainting<\/td>\n<\/td>\n<\/tr>\n
Mark St. John Ellis<\/td>\nThe Empty Vessel Soundscape<\/td>\nvideo and sound<\/td>\nSupported by Cavan Arts, edited by Michael O’Reilly<\/td>\n<\/tr>\n
Martin Newth<\/td>\nRezension 60%<\/td>\nthree-screen video from series, Rezension \u2013 Skulptur, Object, Apparat<\/td>\n<\/td>\n<\/tr>\n
Matt Hale<\/td>\ntable memory, 2020<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Matthew Kolakowski<\/td>\nDistance Learning, 2020<\/td>\nCollage: Wallpaper, Spraypaint, A4, from the series Covid19 Sketchbook<\/td>\n<\/td>\n<\/tr>\n
Megan Day-Haynes<\/td>\nFormlessness Manifesto<\/td>\ndigital print<\/td>\n<\/td>\n<\/tr>\n
Melanie Manchot<\/td>\nThe Hall, 2020<\/td>\nvideo<\/td>\nFilmed in Landulph, a hamlet in the river Tamar region, Cornwall, 2014. (Re-) edited and completed in London lockdown, May 2020.<\/td>\n<\/tr>\n
Mia-Nelle Dr\u00f8schler<\/td>\nThe floor is vanishing underneath me, and I do not understand how great it is, 2020<\/td>\nInk on paper, A3<\/td>\n<\/td>\n<\/tr>\n
Mike Nelson<\/td>\n[untitled]<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Mimi Whiteway<\/td>\nI found a million-dollar baby (in a five and ten cent store)<\/td>\nvideo performance<\/td>\n<\/td>\n<\/tr>\n
Mollin+Voegelin<\/td>\nDuring the night the crops will still grow<\/td>\naudio<\/td>\n<\/td>\n<\/tr>\n
Molly Crump<\/td>\n[untitled]<\/td>\ncollage<\/td>\n<\/td>\n<\/tr>\n
Neal Brown<\/td>\nuntitled, 2020<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Nina Danino<\/td>\nNocturn, 2020<\/td>\naudio and text<\/td>\nVenus in Furs by the Velvet Undergound<\/td>\n<\/tr>\n
Oona Grimes & Tony Grisoni<\/td>\nthe mighty dead woo woo, 2020<\/td>\nvideo<\/td>\nmusic: Lullaby for Jumbo, a song by William Walton, Dame Edith Sitwell<\/td>\n<\/tr>\n
Paul Noble<\/td>\nBlack Egg, 2020<\/td>\nanimation<\/td>\n<\/td>\n<\/tr>\n
Peter Lewis<\/td>\nRemote Views [lockdown], May 2020<\/td>\nink, acrylic, notebook<\/td>\n<\/td>\n<\/tr>\n
Phil Baines<\/td>\nPaschal Candle Design, 2020<\/td>\nVirtual Letterpress<\/td>\n<\/td>\n<\/tr>\n
Rachel Lowe<\/td>\nHazardous Freedom, 2020<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
Rosa de Sausmarez Parry<\/td>\nWhilst<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Rose Goddard<\/td>\nHung Up, 2020<\/td>\nsingle channel video<\/td>\n<\/td>\n<\/tr>\n
Ruby Kester<\/td>\nIt’s Nobody’s Fault Miss Clarice<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Rut Blees Luxemburg<\/td>\nPanoptical Sublime, Ledoux, Saline Royale<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Ruth Maclennan<\/td>\nBeaver Dam on the Moose River, 2020<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Rylie Goodchild<\/td>\nTelling stories, 2020<\/td>\nmulti-channel video<\/td>\n<\/td>\n<\/tr>\n
Sarah Lightman<\/td>\nLockdown Self Portrait, Week 1<\/td>\npencil on paper<\/td>\n<\/td>\n<\/tr>\n
Sidsel Christensen<\/td>\nLethe<\/td>\nAudio + image<\/td>\nSound effects by Erik Medeiros<\/td>\n<\/tr>\n
Simon Periton<\/td>\nNew Normal (01)<\/td>\ncollage<\/td>\n<\/td>\n<\/tr>\n
Sophie Horton<\/td>\nGlaw, 2020<\/td>\nRecycled nylon, acrylic, cotton and wool. 70 x 45 cms<\/td>\n<\/td>\n<\/tr>\n
Sophy Rickett<\/td>\nStill Life (with steam), 2020<\/td>\nvideo<\/td>\n<\/td>\n<\/tr>\n
Subai Zheng<\/td>\nThe Arrival of UFO, 2017<\/td>\nvideo, 3 min 54 sec<\/td>\n<\/td>\n<\/tr>\n
Suky Best<\/td>\nSea Study #7<\/td>\nanimation<\/td>\n<\/td>\n<\/tr>\n
Tiger Nicholson<\/td>\n[untitled]<\/td>\npainting<\/td>\n<\/td>\n<\/tr>\n
Tim Hon Hung Lee<\/td>\nBuddha Iconometric Drawing, 2020<\/td>\nInk on Hanji Paper, 42 x 27cm<\/td>\n<\/td>\n<\/tr>\n
Tony Hill<\/td>\nSunlight, 2020<\/td>\nphotograph<\/td>\n<\/td>\n<\/tr>\n
Trevor Coopersmith<\/td>\nWanderer above\u00a0the Sea of Dice<\/td>\nSpray paint, collage and marker on paper, 12″x18″<\/td>\n<\/td>\n<\/tr>\n
Wendy Anderson<\/td>\n[untitled]<\/td>\nink on paper<\/td>\n<\/td>\n<\/tr>\n
Winky Tsang<\/td>\nIs this a good distance?<\/td>\nwatercolour and pencil on paper<\/td>\n<\/td>\n<\/tr>\n
Zethu Maseko<\/td>\nMamlambo\u2019s voice rings silent but deafening \/\u00a0Mamlambo’s song<\/td>\nDigital Embroidery, 700 x 1000mm \/ audio, 9min<\/td>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

  \u00a0Artist Title \/ Date Medium Credits Aarushi Zarthoshtimanesh My skin is stained like glass Digital drawing on photograph Alexandra Czincel Ready or not! Animation Aliceson Carter Rejoicing In The Morning After (Remembering A Night Before) video Alison Jones [untitled] ink on paper Andy Harper [untitled] Sound with image Andy Holden What Is Love? video […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2270","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/pages\/2270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/comments?post=2270"}],"version-history":[{"count":2,"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/pages\/2270\/revisions"}],"predecessor-version":[{"id":6252,"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/pages\/2270\/revisions\/6252"}],"wp:attachment":[{"href":"https:\/\/artschap.com\/projects\/wp-json\/wp\/v2\/media?parent=2270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}