The Spiritual Exercises
| Artist | Title / Date | Medium | Credits |
| Aarushi Zarthoshtimanesh | My skin is stained like glass | Digital drawing on photograph | |
| Alexandra Czincel | Ready or not! | Animation | |
| Aliceson Carter | Rejoicing In The Morning After (Remembering A Night Before) | video | |
| Alison Jones | [untitled] | ink on paper | |
| Andy Harper | [untitled] | Sound with image | |
| Andy Holden | What Is Love? | video animation | Commissioned by BBC Arts and Google Arts and Culture Written and Directed – Andy Holden Animation – Ollie Dook Music – Roger Illingworth, The Grubby Mitts |
| Anna Dean | [untitled] | Instagram performance | music by Janaki Anderson |
| Anne Lydiat | [untitled] | video | |
| Barbara Nicholls | Liquid Stencil, 2020 | Watercolour on 638gsm, 30cm x 21cm | |
| Benjamin Cockett | Odysseus, 2017 | Watercolour and gouache on paper. 38cm x 28.5cm | |
| Brian Deighton | Ilkley Moor (rain), 2016 | acrylic on canvas, 30x 60 cms | |
| Brian Sayers | Seer, 2010 | oil on panel 27 x 20 cms | |
| Cara Rainbow | photograph | ||
| Caroline Areskog Jones | Along the yellow road | video | Text: Tove Jansson ‘The Summer Book’ Voices: Caroline Areskog Jones Christian Jones Oskar Jones Neil Marsh Isabella Marsh Google Earth image Capture: Drew Jones |
| Caryn Simonson | Stitched Brown Paper Bag — made during Professor Carol Tulloch and Celia Pym’s ‘in conversation’ Stitching Holds Space, online in Collaborate Ultra, 2020 | stitchd brown paper | |
| Cécile Emmanuelle Borra | HOLES | digital print | |
| Charlotte C Mortensson | Still Burning | photograph | |
| Charlotte Pannell | Inches | video | |
| Christine Gordon | Andy’s Requiem | documented slide/tape projection | Music: Spaceball Ricochet, T.Rex |
| Cyan Dee | Michael | oil on mylar | |
| David Leal | BAT (conversation) | video | |
| Dorothea Magonet | Life, 2020 | Collage | |
| Duncan Wooldridge | Sea | digital image | |
| Dunhill and O’Brien | Still Life Figures 1 | Photograph | |
| Erika Winstone | Mantle piece 2 — Is it something I said? , 2020 | silverpoint on canvas, video | Film extract: Exhibition (aka London Project), Joanna Hogg, 2013 |
| G. Calvert | Swimming | Photo : painting and film | |
| Greg Rook | Communal Wash, 2018 | Oil on linen, 46 x 61.5 cm | |
| Helen Robertson | This Thing Called Life, 2020 | audio | |
| Holly Slingsby | HEAP, 2020 | Performance video | |
| Hyunha Lim | Embroidery on a scenery landscape of Deogyu Mountain | embroidery on fabric, printed with a digitally manipulated photograph | |
| Inigo Batterham | No or not yet, 2020 | painting | |
| Jaime Welsh | The Visitor (marat) | Giclée print on Canson Baryta paper, 140 x 180 cm | |
| Jana Appleyard | Newborn | Video | |
| Jane Eyton | Medusa in the time of Covid | Dimensions are variable depending on how it is hung but consists of 4 pieces. Each Medusa is about 35cm x 18cm. Materials: Extruded plastic |
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| Janette Parris | Mundane Thought For The Day | comic | |
| Jatun Risba | Be-coming Tree | performance video | Concept, Poem and Performance: Jatun Risba Video: Franco G. Livera Photo: Sašo Batič Thanks to Maja Usico and An Krumberger for technical assistance and support. |
| Jeffrey Dennis | The Street Confessionals, 2018 | oil & charcoal on linen, 30 x 40.5 cm | |
| Jessica Reeves | House | Hand knitted wool, bulb on cable 75 x 42cm / height varies 2018 |
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| Joe J Ford | collage | ||
| John Bicknell | Marat’s arm twice | Oil on linen, 40cm x 60cm (two panels 40cm x 30cm) | |
| John Lawrence | Video | ||
| Jon Rees | Lockdown portrait #4: Mick | photograph | |
| Jordan Baseman | Meanwhile, in the future | animation | |
| Judith Dean | Room Numbers, 2020 | Ink on paper, 31 x 23cm | |
| Julie Born Schwartz | Ex-voto, 2018 | Film installation with three HD videos, 30 min with sound | Mahler & LeWitt Studios Fondazione Santa Rita da Cascia The Danish Arts Council The Goldstone Family Foundation Yves Klein Archives A huge thanks to all the sisters at Santuario di Santa Rita da Cascia |
| Julie Povey | Saudade | monoprint | |
| Kaori Homma | Erosion of Memories, 2019- 2020 | Aburidashi Fire Etching (Fire, acid and water on paper) 4x10cm | |
| Kelly Chorpening | Drawing in lockdown: a brief personal reflection upon drawing, past and present. | Video | |
| Laura Jacobs | Who Am I Now? This Is Now. | sketchbook drawing | |
| Laura White | Where I Can’t Be | Text | |
| Lizzi Kew Ross | Great Western Hospital | video | |
| Louise Ashcroft | Kitchen’s Hell | Video performance | |
| Lucy Newman Cleeve | An Opening, 2018-20 | video | Music: ‘No Storms Come’ (Hopkins/Peres), The Innocence Mission, Lamp Music, 2000 |
| Marcus Bastel | Japan, from the series Corona Mornings: Places | photograph | |
| Maria Chevska | Notes on saint’s hair… | pens, ink, oil crayon, 28x28cm | |
| Maria Zahle | No Helicopter View | animated GIF | |
| Marion Coutts | Simple 03/05/20 | Soap, 50 x 90 x 40 mm | |
| Marisa J. Futernick | I Dreamed of a House, 2014 | HD video version of two-projector 35mm slide installation with sound (134 slides) 14:22 | Soundtrack composed and performed by the artist with Paul Huckerby and Dan Guest |
| Mark Dean | Wood Beez | video & sound | music sample: What Have I Done To Deserve This (Pet Shop Boys with Dusty Springfield) |
| Mark Emblem | My Dreamhouse / Departure | Image with audio + text | Music by Vladislav Delay – Khode |
| Mark Fairnington | Aira Force Remembered, 2020 | painting | |
| Mark St. John Ellis | The Empty Vessel Soundscape | video and sound | Supported by Cavan Arts, edited by Michael O’Reilly |
| Martin Newth | Rezension 60% | three-screen video from series, Rezension – Skulptur, Object, Apparat | |
| Matt Hale | table memory, 2020 | video | |
| Matthew Kolakowski | Distance Learning, 2020 | Collage: Wallpaper, Spraypaint, A4, from the series Covid19 Sketchbook | |
| Megan Day-Haynes | Formlessness Manifesto | digital print | |
| Melanie Manchot | The Hall, 2020 | video | Filmed in Landulph, a hamlet in the river Tamar region, Cornwall, 2014. (Re-) edited and completed in London lockdown, May 2020. |
| Mia-Nelle Drøschler | The floor is vanishing underneath me, and I do not understand how great it is, 2020 | Ink on paper, A3 | |
| Mike Nelson | [untitled] | photograph | |
| Mimi Whiteway | I found a million-dollar baby (in a five and ten cent store) | video performance | |
| Mollin+Voegelin | During the night the crops will still grow | audio | |
| Molly Crump | [untitled] | collage | |
| Neal Brown | untitled, 2020 | video | |
| Nina Danino | Nocturn, 2020 | audio and text | Venus in Furs by the Velvet Undergound |
| Oona Grimes & Tony Grisoni | the mighty dead woo woo, 2020 | video | music: Lullaby for Jumbo, a song by William Walton, Dame Edith Sitwell |
| Paul Noble | Black Egg, 2020 | animation | |
| Peter Lewis | Remote Views [lockdown], May 2020 | ink, acrylic, notebook | |
| Phil Baines | Paschal Candle Design, 2020 | Virtual Letterpress | |
| Rachel Lowe | Hazardous Freedom, 2020 | ||
| Rosa de Sausmarez Parry | Whilst | video | |
| Rose Goddard | Hung Up, 2020 | single channel video | |
| Ruby Kester | It’s Nobody’s Fault Miss Clarice | video | |
| Rut Blees Luxemburg | Panoptical Sublime, Ledoux, Saline Royale | photograph | |
| Ruth Maclennan | Beaver Dam on the Moose River, 2020 | video | |
| Rylie Goodchild | Telling stories, 2020 | multi-channel video | |
| Sarah Lightman | Lockdown Self Portrait, Week 1 | pencil on paper | |
| Sidsel Christensen | Lethe | Audio + image | Sound effects by Erik Medeiros |
| Simon Periton | New Normal (01) | collage | |
| Sophie Horton | Glaw, 2020 | Recycled nylon, acrylic, cotton and wool. 70 x 45 cms | |
| Sophy Rickett | Still Life (with steam), 2020 | video | |
| Subai Zheng | The Arrival of UFO, 2017 | video, 3 min 54 sec | |
| Suky Best | Sea Study #7 | animation | |
| Tiger Nicholson | [untitled] | painting | |
| Tim Hon Hung Lee | Buddha Iconometric Drawing, 2020 | Ink on Hanji Paper, 42 x 27cm | |
| Tony Hill | Sunlight, 2020 | photograph | |
| Trevor Coopersmith | Wanderer above the Sea of Dice | Spray paint, collage and marker on paper, 12″x18″ | |
| Wendy Anderson | [untitled] | ink on paper | |
| Winky Tsang | Is this a good distance? | watercolour and pencil on paper | |
| Zethu Maseko | Mamlambo’s voice rings silent but deafening / Mamlambo’s song | Digital Embroidery, 700 x 1000mm / audio, 9min |
